domingo, 22 de fevereiro de 2009

djavan, chico buarque e gal costa - "nuvem negra"

Gal Costa - "Feitio de Oração" (Noel Rosa)

Gal Costa - "Oração de Mãe Menininha" - 1973

Gal Costa - "Rainha do mar"

Bar é arte


Octavian Florescu

Night Jazz - 1

Acrylic on canvas

Após a terceira dose - bar é poesia




O luar como valet



(luiz alfredo motta fontana)





mesa de bar

gelo em cristais

copo baixo

scotch aos doze

jazz em ambiente

o olhar em quietude

colhendo sorrisos e moveres

a noite convertida em maitre

o luar como valet

como de hábito

tua ausência

comparece

Bar é arte



Octavian Florescu

The Spirit of the Field

Oil on canvas

Após a quarta dose - bar é prosa




O café e a democracia não lecionada



(luiz alfredo motta fontana)




Nhô Cansado, compadre de Sinhá Sensata, levava seu Ramenzoni para o passeio matinal. Sim, ele ainda cultivava o hábito de vestir chapéus, sem os quais a sensação de nudez era inevitável. como de praxe, após os costumeiros cumprimentos aos conhecidos, entremeados de ligeiros acenos aos estranhos, entrou no Café Avenida, em busca da bebida afável, que precedia o pitar em paz.

- "Você sabe que não sou eleitor do Lula, mas, convenhamos, o homem está dando conta do recado..."

A frase entoada em forma de louvação pertencia ao senhor de bermuda clara, camisa polo azul, encimado em tênis amarelo. O mesmo homem que durante a semana, vestindo indefectíveis paletós e berrantes gravatas, errava pelo centro, sempre com pasta a mão, no velho e conhecido intento de demonstrar atividade, prática essa por demais ausente de sua banca de advocacia. Na qual se via, em letras enormes, talhadas em metal dourado: Dr. Orostrato, o popular Orô.

A vítima do dia, que sequer ousava discordar, mantinha o olhar reverencial, pronto para oferecer fogo, caso o causídico resolvesse fumar, ou até mesmo, após enormes escusas, espantar alguma borboleta que ousasse pousar em doutos ombros, era Justinho, filho querido de Justo, e sobrinho de muita gente conhecida e posicionada na sociedade local. Formado sabe se lá em que condições, em ciências jurídicas, como gostava de afirmar, e que, entre outras fantasias, sonhava, em vão, é de se reconhecer, em trabalhar ao lado de tão luminar figura.

NhôCansado, fingindo não ouvir, embora a voz fosse entoada como se ministrando aula em auditório vasto, entretinha-se em borrifar canela no café, quando os seus ouvidos, já não portadores da acuidade de outrora, foi submetido ao que parecia ser tortura de espiríto:

- "Dilma realizará o governo que o povo brasileiro tanto anseia, ela tem todas as qualidades para tal, espere e verá, uma nova deusa da democracia será reconhecida por todos..."

Já guardando o troco Nhô Cansado, pensava lá com seus botões:

Estranho curso, esse de direito, consta nele, inclusive o tal do Direito Constitucional, e esse portador de anel de doutor, louva uma senhora que em nome de suas convicções, em nada democráticas, aceita até, e de forma literal, mudar a própria imagem, para satisfazer o capricho do chefe de ocasião.

Estranho curso, estranho mundo, e como sempre, de habitual, apenas a ilusão de um povo, o brasileiro, sempre a caminho da redenção num futuro adiado com precisão suiça.

Na esquina, com o olhar perdido entre as arvores que guarneciam o Forum, Nhô Cansado, picava o fumo e cortava a palha, com a sabedoria de quem sabe que em certas plagas, o que muda é o tempo, e, assim mesmo, não mais com a previsibilidade de antigamente.

Comercial antigo - F1 Mercedes-Benz - Alonso Hamilton Hakkinen

Charge do dia


Paixão - Gazeta do Povo - Curitiba, PR

Gran Torino, Clint Eastwood, 117 mins, 15 - The Independent, uk - link (aqui)

ANTHONY MICHAEL RIVETTI
Clint Eastwood plays Walt Kowalski, a Korea veteran who becomes entangled with the Hmong family next door when their son tries to steal his car

The screen legend plays an angry old man at war with the city of Detroit

Reviewed by Jonathan Romney

Sunday, 22 February 2009

You could be forgiven – though probably not by the man himself – for doubting whether Clint Eastwood is really an actor. With a range that’s not so much limited as, let’s say, specialist, Eastwood is at once an irresistible force and unmovable object, rooted in the screen like a gnarly, unbendable tree. More than any Hollywood actor alive, he is what he is.

And Eastwood is most what he is when directing himself. I have huge respect for his films in which he chooses not to appear, but it’s hard to feel much love for them. When he’s in front of his own camera, that’s another matter – and I’d take even a dud Eastwood-shoots-Eastwood film, such as the daft thriller Absolute Power, over one of the academic prestige pieces he makes when wearing his auteur Stetson: earnest, tendentious stuff like the recent Changeling.

In Gran Torino – which he’s said will be his final role – Eastwood is back on both sides of the lens, and that’s always good for him: he knows how to expend the least energy necessary in the two jobs. Not that there’s anything remotely Zen about his performance here: the intensity is always visible, but it’s all tightly contained around his jaw and neck muscles. In one scene, Eastwood’s character loses patience with his family and he just snarls at them. The camera closes in around his head and shoulders; the brows knit like tensed cable; the teeth clench and he emits a growl, a proper get-away-from-my-kennel growl, like the bulldog in Tom and Jerry. In fact, if Eastwood had done nothing but give close-ups of himself as a growling head, Gran Torino would still have been riveting. As it is, he’s turned in a terrific, taut, no-frills drama, with the kind of provocative social content that we’ve come to expect from Hollywood’s most unpredictable conservative liberal (or liberal conservative).

Eastwood’s character is Walt Kowalski, a retired Ford worker and Korea veteran. Newly widowed, Walt hates everyone: his spineless, selfish family; the baby-faced priest (a very watchable young actor, Christopher Carley) who’s tenaciously out to save his soul; and the various ethnic groups that now dominate the Detroit suburb where Walt feels like the last bastion of the white working man. Walt is especially tetchy about the family next door, unspecified “gooks” to him – in fact Hmong immigrants, belonging to a widespread ethnic group from across South-east Asia.

Walt tangles with the family’s shy teenage son Thao (Bee Vang) when the kid – pressured by his gang-leader cousin – tries to steal Walt’s pride and joy, the 1972 Gran Torino in his garage. But the old bigot eventually warms to Thao’s street-smart sister Sue (Ahney Her), then to her family, and sets about both disciplining and educating the boy. That involves setting him a course of boot-camp DIY, finding him a job, and teaching him “how guys talk”: this in a magnificently foul-mouthed scene with John Carroll Lynch as the local barber, a showerbath of racist invective in which Thao gets the priceless punch line. And naturally, Thao and Sue re-educate Walt in return.

Written by Nick Schenk (story credit shared by Dave Johannson), Gran Torino has been read by some as Eastwood’s belated reparation for the vigilante ethic he embodied in Dirty Harry – although as a thoughtful humanist, Eastwood the director balanced the books long ago. But certainly, Walt Kowalski offers a sour portrait of how a Harry Callahan might end up. Throughout, the film seems to cater to the old-school Eastwood fans, who would love to see a cussed old white conservative getting his gun and sorting out the whole damn hell-in-a-handcart situation of America today. Several scenes give us just that, the fearless patriarch seeing off African-American and Asian gangs alike with his contemptuous glare: nothing less than an ancient God of Disapproval.

In the end, things build up to the showdown, Walt’s personal OK Corral. Gran Torino is, of course, a contemporary Western, although the Wild Frontier is no longer an America under construction, but an urban America that’s been allowed to fall into disrepair by successive governments.

However, the film proves to be about alternatives to prejudice and vigilantism: as in his great 1992 Western Unforgiven, Eastwood has made a sometimes violent film that is also a disavowal of violence. Gran Torino is also a modest anatomy of American racism. Admittedly, the Asian characters play a largely instrumental part in correcting Walt’s complexes, and you can’t deny the stereotyping: studious son, hip sassy daughter… But at least the film takes a genuine interest in its ethnic background: when did a Hollywood movie last bone up on the Hmong? And in fairness, the stereotyping works across the board, with white suburbanites coming off worst: Walt’s bland bourgeois son and sullen granddaughter with her nose ring and mobile. But Eastwood might reply that all this is less stereotyping, more getting the job done with a couple of basic brush strokes – and who would argue?

As usual when he’s also acting, Eastwood’s direction is brisk, clean cut, to the point: a let-me-show-you-how-it’s-done-godammit sort of job. The film’s prosaic look is spot-on: photographed by Tom Stern, this sleepy suburban backwater, with its dried-up front lawns, has the look of an abandoned war zone, faded khaki tones suggesting that combat could erupt at any moment.

Eastwood is one of the handful of veteran Hollywood leading men who have dared to be old on screen, as opposed to acting the lovable old-timer. Like Wayne, Mitchum, Newman before him, Eastwood turns in a late performance that shows how the ornery young hero becomes a dyspeptic old sod. He nicely leavens the severity with self-deprecating humour, but Walt’s grouchiness, verging on the sociopathic, isn’t just for amusing effect: it embodies a character sharply defined by a good script. Walt’s loathing of his own family, his reluctance to reveal his more complex emotions, the psychic damage he’s sustained from horrors both witnessed and perpetrated in Korea – all this is complex stuff that the script specifies, but that Eastwood fleshes out, for the most part with little more than a scowl and a simmer. And minimalism of that kind really is great screen acting.

The Stanford Files: FBI’s first probe was 20 years ago - The Independent, uk - link (aqui)

Allen Stanford during a Twenty20 cricket match late last year in Antigua, where his banking operation is under investigation

Exclusive: Revelations pile the pressure on the England and Wales Cricket Board over its controversial £50m deal with the disgraced tycoon. David Connett and Stephen Foley in New York report

Sunday, 22 February 2009

More than 20 years ago, the authorities repeatedly probed Allen Stanford’s alleged links to some of the world’s biggest and most powerful drug lords. Despite no fewer than five investigations into suspected drug money laundering by law enforcers ranging from Scotland Yard to the FBI, no charges were ever brought.

As banking officials in Central and South America and in the Caribbean moved quickly to freeze accounts linked to Stanford, the full extent of suspicions surrounding his business dealings emerged. Last night, the England and Wales Cricket Board was under growing pressure over its decision to enter into a £50m deal for Stanford’s businesses to sponsor Twenty20 tournaments. The ECB refused to say what detailed steps it took to find out whom it was dealing with before agreeing the deal.

The 58-year-old businessman, whose personal fortune was estimated at $2.2bn last year, headed a global financial group which claimed to have $51bn worth of assets under management. But he is now under investigation by a range of US criminal and regulatory authorities, including the FBI, the Securities and Exchange Commission (SEC), the Internal Revenue Service (IRS) and state financial regulators.

The SEC investigation which resulted in civil charges being brought against Stanford and two other employees last week, began as long ago as 2006 but was hampered by the reluctance of the authorities in Antigua, where Stanford’s offshore banking operation is based, to co-operate, according to sources familiar with the investigation. The SEC said this meant it was forced to call in the FBI, which has greater investigative powers, including the power to use wiretaps.

Stanford was already well known to the FBI. He was first investigated 20 years ago when he became a subject of a joint Scotland Yard-FBI investigation into so-called “brass-plate” banks on the Caribbean island of Montserrat. The investigation was set up after the tiny island, with a population of fewer than 13,000 people, had been targeted by criminals who set up more than 300 banks and rapidly found itself at the centre of a worldwide money laundering operation.

Among them was the Guardian International Bank, created by Allen Stanford. The bank was suspected of laundering drug money from the notorious Medellin and Cali drug cartels run by Pablo Escobar and the Orejuela brothers, according to former FBI agent Ross Gaffney, who headed the task force set up to investigate the suspicious explosion of offshore banks on the island.

“We suspected that Stanford’s bank was involved in money laundering, especially as we put people outside it to observe it,” Mr Gaffney said. Before the investigation could develop further, Stanford suddenly voluntarily surrendered his Montserrat banking licence and left the island.

Mr Gaffney said Scotland Yard had to abandon its Stanford investigation because it didn’t have sufficient manpower to pursue him. The Yard’s inquiry was headed by Detective Superintendent Richard Marston, who has since died. “Dick Marston was frustrated because he didn’t have the manpower to do more. I think in the end the Brits were just relieved to get rid of this problem from Montserrat,” Mr Gaffney said.

After Montserrat, Stanford switched his attention to neighbouring Antigua where he set up the Stanford International Bank, which is at the centre of the current investigation. Mr Gaffney said the FBI continued to take an interest in Stanford and set up a second inquiry into that bank after receiving intelligence that it continued to launder money for the Medellin and Cali cartels. “We had hard intelligence about what he was doing and we began to develop it.” Mr Gaffney said.

The FBI was particularly interested in Stanford’s relationship with Lester Bird, Antigua’s former prime minister. “Stanford is a very shrewd businessman. He always took the trouble to build close relations with local people on the islands. When Hurricane Hugo threatened, he flew a lot of his people out of the island to safety. He is affable and has a lot of charm. As a result, he has built up a lot of positive goodwill and personal loyalty to him. There are people who still think their money is safe with him even after the SEC took action.”

Mr Bird became Antigua’s prime minister in 1994, taking over from his father. Under the Bird family leadership, the island was widely regarded as one of the most corrupt in the Caribbean, with well-documented links to arms and drug smuggling and money laundering. In 1990, Israeli automatic weapons ordered by Mr Bird’s brother Vere turned up in the hands of a notorious Colombian drug trafficker. The Birds further angered Washington by giving US fraudster Robert Vesco refuge and protection on the island.

Stanford was warmly welcomed in 1990 as Antiguan politicians sought to diversify their tourism-dependent economy. He acquired dual Antiguan citizenship, became the largest private employer and developed a level of influence over local regulators that worried US watchdogs. In 2006 he was awarded a knighthood in a ceremony attended by Prince Edward.

“In the offshore world, you have a hierarchy and Antigua is at the bottom,” said David Marchant, an offshore banking analyst based in Miami, Florida. “Antigua was the Wild West and Stanford was the chief cowboy.”

Baldwin Spencer, Antigua’s current Prime Minister, credits Stanford for creating some 2,000 jobs, but says his predecessors allowed him to acquire “dangerous” influence and prime real estate. He claims the Birds and their supporters sought to “literally give away Antigua and Barbuda to Allen Stanford”. Lester Bird denies all the allegations and points out that Mr Stanford has not been charged with any criminal matters.

Mr Gaffney said the investigation did not result in Stanford facing charges, because the circuitous route the drug money took before entering Stanford’s bank made the prospect of a successful prosecution unlikely. Despite this Mr Gaffney said Stanford remained “on the FBI’s radar”.

Other FBI and Drug Enforcement Administration (DEA) sources say that further separate investigations into alleged money laundering activities were carried by agents in Dallas and New Orleans. In each case no charges were brought. In the most recent investigation, agents from the DEA probed Stanford’s links with the so-called Gulf cartel based in Mexico. In the late 1990s, according to US court documents, operatives of the Juarez or Gulf cartel began opening accounts at Stanford’s Antigua-based bank in an effort to launder money amassed under one of Mexico’s most vicious drug lords, Amado Carrillo Fuentes. Together, they used Stanford International Bank to open 10 accounts and deposit $3m.

In 1999, Stanford willingly turned over the $3m from his bank after federal agents found it had come from a drug cartel. Stanford’s cooperation won him praise from authorities who said he had not intentionally accepted drug money. Around the same time, however, Texas securities regulators found evidence of potential money laundering involving Stanford, an official said Friday. The details were passed on to the FBI and SEC because the laundering involved offshore banks.

“Why it took 10 years for the Feds to move on it, I cannot answer,” securities commissioner Denise Voigt Crawford told the Texas senate finance committee. “We worked with the FBI and the SEC and basically gave them the case. We told them what we’d seen and they were going to run with it.”

Additional reporting by Paul Bignell

From Obama to McCain

Allen Stanford’s influence stretches across the spectrum of US politics.

Stanford Financial Group donated more than $2.4m to more than 100 US politicians, with nearly two-thirds of the cash going to the Democratic Party. However, last week, many of those who received donations from Stanford were attempting to distance themselves from the Texan as federal authorities investigated the alleged $8bn investment fraud.

President Obama, the third-biggest recipient, received $31,750 during his presidential campaign. The defeated Republican presidential nominee John McCain received more than $28,000. Money also went to other 2008 presidential candidates, including Hillary Clinton, who received $6,900; and Bill Richardson, Rudy Giuliani and Mitt Romney, who each got $4,600.

The biggest single individual donation was reserved for Bill Nelson, the Florida senator who was vice-chairman of the Democratic Senatorial Campaign Committee in 2002. Mr Nelson has promised to return the $45,900 he received.

There is no suggestion of impropriety by the recipients of Stanford’s donations.

A week in the life

Monday, 16 February The FBI and Securities and Exchange Commission (SEC) investigate an offshore bank owned by Stanford. The Texan billionaire emails his staff at the Stanford International Bank vowing he would “fight with every breath to continue to uphold our good name”.

Tuesday, 17 February The England and Wales Cricket Board (ECB) suspends negotiations with Stanford after it emerges that the SEC is applying for a temporary restraining order against Stanford Financial Group over allegations of fraud. ECB chairman Giles Clarke admits that joining with Stanford was a mistake.

Wednesday, 18 February Stanford accused of fraud totalling £5.6bn and company placed in the hands of receivers. Clarke faces pressure to resign over the affair. Stanford “vanishes” after unsuccessfully attempting to leave the US.

Thursday, 19 February Stanford is tracked down by the FBI in Fredericksburg, Virginia, where his girlfriend’s family lives. He is served with the SEC lawsuit and ordered to surrender his passport.

Friday, 20 February Authorities in Antigua seize Stanford’s local bank, to stem a run that threatens to destabilise the island’s fragile economy.

The famous faces that fooled Stanford clients - The Guardian, uk - link (aqui)


Sir Allen Stanford's empire came crashing down last week in an $8bn fraud inquiry that is now set to extend to Britain. Jamie Doward and Rajeev Syal reveal how the Texan tycoon manipulated his links with royals, sports stars and politicians to give his credentials a veneer of credibility - and why it took so long for the alarm to sound

Sir Allen Stanford, the billionaire at the centre of one of the world's largest fraud investigations, repeatedly used the British royal family to convince investors that he was a bona fide businessman with impeccable credentials.

Stanford Financial Group (SFG) used at least four royals in its glossy publicity brochures, magazines and websites to emphasise the tycoon's respectability - at a time when difficult questions were being asked about how his operations made money.

Through his sponsorship of prestigious polo tournaments in London and the US, Stanford, who is also suspected of having links with a Mexican drug cartel, rubbed shoulders with Britain's aristocracy, laying on lavish hospitality that garnered him much favourable PR.

SFG's website boasts of its sponsorship of the Stanford charity polo day, hosted by Prince Charles, which raises money for the British Forces Foundation. An article in Stanford Financial's magazine, Eagle, displays a photograph of Prince Harry, who played in another Stanford-sponsored polo event. In addition, Sarah Ferguson, Duchess of York, has distributed the prizes at Stanford's tournaments and has been pictured with some of his executives.

Eagle magazine also carries news and pictures of Stanford's knighthood in 2006, in his adopted home of Antigua, at a ceremony attended by Prince Edward. Stanford was forced to alter his website after complaints that it suggested the Earl of Wessex had personally knighted Stanford rather than its governor general, Sir James Carlisle.

Stanford's attempts to secure respectability appear to be a leitmotif in his life. Documents filed by his lawyers in a legal dispute last year over a disputed domain name refer to their client as a "world-renowned former cricketer". There is no evidence the Texan, whose Stanford Superstars cricket team pocketed $20m of his money after beating England in a controversial match last year, has played the game at any significant level.

The billionaire, 58, has also erroneously claimed to be related to the founder of Stanford university, to which he has donated some $2.5m.

Yesterday it emerged that the helicopter emblazoned with his name and crest in which he touched down at Lord's last year - in order to announce his deal with the England and Wales Cricket Board - was hired and the logos stuck on just for the day.

Last night further links between Stanford and the UK were emerging. The Observer has established that discussions were held last week between the City of London police, the Federal Bureau of Investigation and the Securities and Exchange Commission following last Tuesday's decision to charge Stanford in connection with an alleged $8bn investment fraud.

The disclosure is the first indication the US investigation could spread to Britain, where Stanford has property and business interests.

A senior source said the informal talks centred on help the British could give in tracing Stanford's assets. "The FBI and SEC now know City of London officers are interested in the case and can help," a source said. "Its implications in Britain are huge because of the sheer size of the alleged fraud. This is an investigation that will spread across many continents and will have implications for many British investors."

There is increasing speculation a number of blue-blooded British investors have ploughed millions into Stanford's financial empire. Company documents show that in 2007 Stanford hired two well-connected London-based advisers to target high-net-worth individuals in Europe. Barbara Hauser, described by the company as an internationally recognised expert on private wealth, and James Thompson, formerly head of marketing at Rothschild, were employed to tap wealthy clients for cash.

They reported to Felicity Keller, a UK barrister with more than 20 years' experience in private banking, according to her biography. There is no suggestion the three have engaged in wrongdoing.

Yesterday attention turned to why alarm bells did not ring sooner within the Stanford empire. The Observer has been told nosy employees who asked questions lost their jobs, while the culture was "bizarre" bordering on the cultish, according to some. Staff were given gold lapel pins in the shape of an eagle, the Stanford symbol, and ordered to wear it to work every day.

A lucrative and controversial bonus scheme for signing up investors was used to motivate staff while sales teams were trained to deflect awkward questions. They were ordered to say Stanford International Bank was "strongly capitalised" with Stanford's own money and its assets were monitored by an elite team of analysts.

Clients were told their money went into fixed-income bonds, hedge funds, stocks and precious metals. Only Stanford and a handful of lieutenants knew much of it was ploughed into dubious investments such as a golf bag manufacturer, a restaurant, luxury resorts and at least one film - The Ultimate Gift - which bombed at the box office. Stanford also donated almost $1m in contributions to US politicians, including George W Bush and several others who helped scupper the introduction of tough new legislation against money laundering proposed by the Clinton government.

Investors were reassured that Stanford International Bank boasted a British QC as its secretary and treasurer. "Kenneth Allen is a graduate of the University of London, a barrister-at-law and a member of the Society of the Middle Temple," the bank's website states.

Stanford Financial also claimed its investments were insured with Lloyd's of London - leading to investors inferring their money was safe. However, a Lloyd's spokesman said: "Although we are aware Stanford International Bank has insurance arrangements with the Lloyd's market, any coverage is unlikely to extend to investment loss."

According to a lawsuit filed by angry investors, senior management within the Stanford empire knew its advertised returns "were misleading and inflated". The lawsuit alleges managers became so concerned they hired an outside "performance expert" who confirmed the claims were inflated, but Stanford's myriad companies continued to make stellar claims for their performance.

Randy Shain, vice-president of First Advantage Investigative Services in the US, said one of his clients had decided not to invest in Stanford's empire after he found allegations of money laundering dating back to a 1996 lawsuit, settled out of court.

Since then several lawsuits have been filed against the company alleging fraudulent behaviour. One, filed in 2006 by a former employee, explicitly alleged the company was operating a Ponzi scheme - in which fresh investors' funds were continually sought to deliver impressive returns to existing clients.

There were other warning signs. In 1998 the US revenue service pursued Stanford for more than $400,000 in unpaid taxes. In 2003 Stanford felt compelled to speak out after Baldwin Spencer, then opposition leader in Antigua, accused the billionaire of bribing two government ministers. Four years later Spencer, by then prime minister, accused Stanford of having dreams of "owning all of Antigua and Barbuda... just like slavery days".

"If people had done even an effective news search they would not be in the position they are in now," Shain said. "A lot of them are going to lose their money."

But instead many were seduced by Stanford's sales pitch. His clever use of celebrities, royals and sports stars - Newcastle United's Michael Owen and golfer Vijay Singh became global ambassadors for his empire - helped bolster his profile and reassure investors. His extensive philanthropic ventures in Antigua and the US saw him win the respect of many, while his sponsorship of the Freedom Awards in the US made him politically powerful. One award recipient was the lead singer of U2, Bono, who also features in Stanford's publicity material.

Ultimately clients were reassured by the Stanford Financial Group's provenance. "From modest beginnings seven and a half decades ago in a small Texas town in the middle of the Great Depression, the Stanford Financial Group of companies has continued to grow and prosper," they were told.

But, like much of Stanford's claims, it was untrue. Stanford Financial started life in 1987 as the Guardian International Bank in the British territory of Montserrat. Back then it had just $16m in funds, mainly put up by Stanford and his father, James. In 1991, after the Montserrat authorities revoked his banking licence (another warning sign missed), the bank relocated to Antigua, where it rebranded itself and, until last week, was reputedly sitting on some $8bn worth of assets.

Now investors who fear their money has disappeared into a black hole may rue not heeding the advice Stanford gave to clients in one of his many newsletters. "There has never been, and there will never be, an easy way to make money," Stanford intoned. "It requires discipline, knowledge, experience, hard work and plain common sense."

Reality show to anoint new British fashion queen of NY - The Guardian, uk - lik (aqui)

Joanna Coles. Photograph: Style Network


The Observer, Sunday 22 February 2009
Gaby Wood

Journalist Joanna Coles, editor of Marie Claire, is to star in an American reality TV series based on the magazine. Gaby Wood meets the woman following in the footsteps of Tina Brown and Anna Wintour as the latest Briton to storm New York's glittering world of fashion and media

In August last year, Joanna Coles, the editor-in-chief of US Marie Claire, appeared on Fox News. Coles had interviewed Barack Obama for her magazine, and in the course of it he had criticised Fox News for painting an unfair portrait of his wife Michelle.

Fox anchorwoman Greta van Susteren asked Coles if Obama had said anything more specific about "who he has a beef with here". "No," Coles replied in the most businesslike tone possible, "It was really a much more general attack on the conservative media. He didn't single you out, Greta, but I'm sure you would have been in there."

Not for nothing is Coles referred to as "the Simon Cowell of fashion"; as of 1 March, the British journalist will be capitalising on that reputation and appearing in an eight-episode reality TV series based around Marie Claire, which she took over as editor almost three years ago. The show follows Coles, her staff and, in particular, three young interns, as they attempt to negotiate demands for beauty tips, ferry designer clothes across town, guide celebrities along the red carpet and arrive at work on time despite forbidding footwear.

This meant Coles was trailed by four camera crews and wore a microphone around the clock. (In the current issue's editor's letter she explains that Renée Zellweger taught her a trick: if you want to have a private conversation, you tap the microphone in your bra repeatedly to obscure the sound.) Why an editor would endure such an arrangement for months on end is something of a mystery until you learn that, unlike the fictional satire The Devil Wears Prada or even the forthcoming feature-length documentary about Vogue (called The September Issue), Running in Heels is Marie Claire's baby. Rather than putting the knife in, it cleverly extends the brand.

"It became clear that if you looked at the success that Elle had had with Project Runway [a US TV reality show about fashion]," Coles explains, "the TV show could be very useful for propelling the magazine, and trying to get people who don't know about it to read it. It's a very simple marketing opportunity." She doesn't worry about how she might come across - although she is given a 48-hour period in which to make changes to each episode - because, "I feel like I am who I am, and they were here and they get that. We're not acting in it - it's not scripted."

Although Coles won't confirm this, it looks as if Marie Claire, which last autumn hired former Elle fashion director and Project Runway judge Nina Garcia, will also take over the sponsorship of the reality TV show itself. The advertising partnerships the magazine derives from such ventures, as well as rising subscriptions (they have more than doubled since Coles took over) mean Marie Claire is, in Coles's phrase, "quite well fortified" against an economy that has everyone else breathing into brown paper bags.

Towards the end of New York fashion week, I meet Coles in her office on the 34th floor of Norman Foster's spectacular Hearst building, where even the lobby escalators can induce a fit of vertigo. She has just come back from a day of show-hopping, and is getting ready to deliver a talk at the Columbia School of Journalism that evening. "We kicked off with Vera Wang downtown, then we had Tommy Hilfiger, then we had Brian Reyes, then we had Isaac, then we had Calvin ..." Coles reels off the runways while she freshens her make-up at her desk. She pulls a Dior compact from a Prada bag and adds: "I had a slight clash on Monday, because I really should have gone to Marc Jacobs but - and this is going to sound very Tina Brownish - I had Peter Mandelson for dinner. And the thing is, I can look at Marc Jacobs online ..."

Peter Mandelson, I suggest, is perhaps not so good online. "Well, he's such fun to have supper with. He's just a hoot. But I thought to myself, oh God, I really should be doing Marc Jacobs."

She considers her clothes. Fur is no good for meeting students - they might object. Also, her belt clashes with her necklace. "Here's the solution," she says. "Black belt." She mutters something about the fashion closet and calls over an assistant, who scurries off, returning a few minutes later with a belt sized for a small hamster. "It's Oscar," the assistant says, meaning de la Renta. "It's tiny!" Coles retorts. She tries to get it around her waist and hands it back. "That is insulting," she says. "That really is insulting." The assistant goes off to find another.

Inevitably, people wonder whether Joanna Coles is the new Tina Brown, or the new Anna Wintour, or even the new Glenda Bailey - all British women who have moved to New York and taken the magazine industry by storm. But she is an intriguing combination of things, a very good fit for a magazine that has always flaunted fashion, yet also commissioned international reporting and had, as Coles puts it, "a campaigning edge".

She published her first pieces in the Yorkshire Post at the age of 10, worked at the Spectator after leaving university, then at the Guardian for ten years. She came to New York a decade ago as a foreign correspondent for the Guardian, transferred to the Times, and eventually, having had two children there with her husband, the writer Peter Godwin, she decided to settle, and joined the staff of New York magazine as a senior editor. Never one to lose sight of the ladder, she crossed over to More magazine - she felt she could make her mark there; the position was more senior - and in 2006, just as The Devil Wears Prada hit cinemas, she became editor of Marie Claire

Does she miss reporting? "Yeah, of course I do," she replies. On the other hand, she owns nine pairs of Roger Vivier shoes. "If I'm having a bad day, there's nothing more fun than going into the closet and just inhaling the colour of next season's Oscar de la Renta or feeling the tailoring of a Calvin Klein suit," she says.

Coles is, in a rather un-English way, supremely ambitious - one acquaintance described it as a very Eighties kind of ambition, as if she'd read too many Jay McInerney novels - and the story about how she got the job at Marie Claire is no exception to the general picture. She flew across town to the home of Cathie Black, the president of Hearst magazines, as Black was leaving for the airport. Coles jumped into the cab with her as it was pulling away, and by the time Black's plane took off she was persuaded that Coles should be editor in chief.

I confess: I have known Coles for many years. As her legend suggests, it's hard to imagine a person she couldn't eat for breakfast if she wanted to. Yet she is also exceptionally generous, and the great pleasure of her kindnesses is that they are dispensed in the same mildly dictatorial tone, so you never know what's going to come next. As a result, on the reality show her deadpan manner is not always readable and makes for very funny television.

"All right, now what else do I need?" Coles zips up her handbag. "Sykes-ie, are you ready?" I ride to Columbia with Coles, Suzanne Sykes, her new creative director (formerly of Grazia), and her assistant Sergio, who used to be in the music industry and was inexplicably inspired to switch to fashion after he saw The Devil Wears Prada. Coles has been invited to speak by Victor Navasky, the venerable and gnome-like former editor of The Nation. When we arrive, I can't help smiling at the sight of her in her Lanvin dress and Chanel necklace, sitting in Navasky's crusty office. Yet she has a peculiar way of fitting right in. She asks Navasky what the students want to hear from her. "They'll want to have a good time while listening to you," he says. "Well, that might require copious amounts of alcohol," she replies with effortless self-deprecation.

Coles gives a witty talk full of sound advice. Then someone asks: "What would you have done differently if you'd known then what you know now?"

Coles says: "I would have been more pushy and more ambitious earlier on." Then she pauses, looks around the room and adds drily: "Which will appal the people in the audience who know me."

Ecureuil et Banque Populaire sur le point de fusionner - Libération, fr - link (aqui)


(REUTERS)

22/02/2009 à 10h07
La Caisse d'Epargne et la Banque Populaire devraient annoncer jeudi leur union. Crise oblige, l'Etat a réactivé ce mariage en pourparlers depuis plus de deux ans.


La Caisse d'Epargne et Banque Populaire devraient annoncer jeudi leur union et donner naissance à la deuxième banque française. Un mariage dont la conclusion a été hâtée par le gouvernement, soucieux de mettre un terme à des négociations tendues entre les deux banques.

Le projet de rapprochement remonte à 2006, date de la création de leur filiale commune Natixis. Il a été réactivé cet automne après l'aggravation de la crise financière et l'annonce de la reprise du belgo-néerlandais Fortis par BNP Paribas, opération aujourd'hui en péril.

Depuis, la tempête financière a rattrapé les deux groupes mutualistes, qui s'apprêtent à publier jeudi des pertes historiques en 2008, selon la presse, en partie plombés par Natixis, qui pourrait perdre plus de 2,5 milliards d'euros.

Entamées en octobre, les négociations ont été retardées par les départs du patron emblématique de la Caisse d'Epargne, Charles Milhaud et de son successeur désigné, Nicolas Mérindol.

Les deux hommes ont été poussés à la démission après l'annonce, mi-octobre, d'une perte de 751 millions d'euros attribuée aux opérations hasardeuses d'un trader de la banque.

Faccia a faccia tra ex, sfide e sorprese Gli Oscar a caccia di telespettatori - La Stampa, it - link (aqui)

Brad Pitt e Angelina Jolie. A fianco Jennifer Aniston

22/2/2009 (9:51) - RUSH FINALE PER LE STATUETTE

Primo incontro Jolie-Aniston-Pitt. Paparazzi scatenati. Hugh Jackman sul palco "nudo e ubriaco". L'obiettivo della cerimonia: risollevare gli ascolti

LOS ANGELES
Gli Oscar come il Festival di Sanremo. L'obiettivo: risollevare gli ascolti. Dopo i numeri disastrosi dell'anno passato, l'Academy ha annunciato novità e sorprese, per cercare di tenere incollati allo schermo gli spettatori di tutto il mondo. Il compito di far "volare" la kermesse è stato affidato al regista Bill Condon e al produttore Laurence Mark, che si sono gettati con entusiasmo nel compito partendo da una idea di base: «bisogna cambiare il Dna degli Oscar».

Tra gli ospiti inattesi dell’81° notte degli Oscar, oltre a Beyonce, ci sarà anche lei, l’austerity. Poche feste, tagli sui cadeaux e iniziative di beneficenza. La grande crisi economica che si è abbattuta sugli Stati Uniti non ha risparmiato neppure il regno dello sfarzo e del glamour: «Vogliamo festeggiare gli Oscar - ripetono all’unisono dagli studios coinvolti nell’organizzazione dei party - ma dobbiamo tenere conto di tutte quelle persone che negli ultimi mesi hanno perso il lavoro». Bilanciare lusso e morigeratezza, è la parola d’ordine.

Il fattore sorpresa: "Jackman nudo e ubriaco"
Hugh Jackman, sex simbol, a cui è stato affidato il compito di "Cicerone" della serata ha già promesso tante sorprese, ma anche qualche provocazione. In un'intervista alla Cnn ha detto scherzando: «Sul palco nudo e ubriaco». Ma a solcare il palcoscenico, saranno davvero in pochi. Infatti, non tutte le celebrità invitate alla cerimonia sfileranno sulla pedana rossa. I responsabili della cerimonia, nella speranza di incrementare l’audience televisivo, hanno deciso di tenere segreti tutti i nomi delle celebrità invitate a consegnare le famose statuette ed hanno chiesto ad alcune di loro di evitare la pedana rossa per rafforzare il fattore sorpresa. La speranza è che la trovata spinga gli spettatori tv a restare davanti agli schermi fino in fondo. L’anno scorso solo 32 milioni di spettatori hanno seguito negli Usa la consegna degli Oscar in tv, un calo del venti per cento rispetto all’anno prima. Ma la trovata non è piaciuta troppo a stilisti e gioiellieri che prestano le loro creazioni ai divi che sfilano sulla pedana rossa in cambio della massiccia pubblicità ottenuta nelle interviste. «Gli arrivi sulla pedana rossa sono una parte importante degli Oscar e sarebbe uno spreco gettare al vento questa parte dell’evento più importante di Hollywood», ha affermato lo stilista Cate Adair.

Faccia a faccia Aniston-Jolie
Dopo le frecciate a distanza tra Jennifer e Angelina, agli Oscar è previsto il primo incontro ufficiale tra il triangolo di star. Ci sarà il cantante playboy John Mayer al fianco di Jennifer Aniston alla consegna dei premi. Mayer al website «Pop Sugar», ha detto che sarà la sua «prima volta» sia alla cerimonia, sia «come fidanzato» dell’interprete di «He Is Not That Into You». Una serata speciale per la Aniston appunto perchè alla serata parteciperà anche il suo ex marito Brad Pitt che, in coppia con Angelina Jolie, arriveranno con una nomination a testa, rispettivamente per «The Curious Case of Benjamin Button» e «Changeling». Dopo quattro anni di scontri e risentimenti, la Aniston e la Jolie si incontreranno per la prima volta nella serata più importante dell’industria cinematografica. Un momento che il mondo del gossip ha aspettato da quando Pitt ha divorziato dalla Aniston per la Jolie e che potrebbe rivelarsi difficile.

L'eventuale Oscar di Ledger andrà alla figlia, ma solo dopo i 18 anni
Un eventuale premio al defunto attore australiano Heath Ledger sarà consegnato alla figlia di tre anni Matilda, ma solo al compimento dei 18 anni, e nel frattempo sarà custodito dalla madre, l’attrice Michelle Williams. Lo ha reso noto a Los Angeles l’Academy of Motion Picture, che assegna i premi. Ledger, morto l’anno scorso a 28 anni per overdose, è dato come favorito per la statuetta al miglior attore non protagonista, per la sua interpretazione del Joker nel film della saga di Batman «Il cavaliere oscuro». Non sarebbe la prima volta che un Oscar viene assegnato alla memoria, ma in passato c’era sempre stato un coniuge o un figlio adulto a ricevere il premio per l’artista defunto. Il regolamento dell’Academy impone che il vincitore (o chi riceve la statuetta) firmi un impegno a non rivenderla prima di averla offerta alla stessa Academy per un dollaro.

Dal baratto all'outlet su internet E' lo shopping ai tempi della crisi - la Repubblica, it - link (aqui)


di IRENE MARIA SCALISE

La passione per gli acquisti non si placa malgrado la recessione ma cambia forme e canali: si moltiplicano i siti

DELIZIA degli occhi e trionfo della vanità. E' lo shopping. Incuranti dei tempi che corrono, sono in molti che ad abiti ed accessori non vogliono proprio rinunciare. Certo, diminuiscono gli zeri sul cartellino del prezzo. La griffe resiste ma comprata tramite il sito internet di second hand. Il pensiero per la migliore amica si acquista con la formula dello swap party. I negozi a cinque stelle sono belli per sognare, ma pullover e borsette è più opportuno acquistarli nelle vendite casalinghe. Insomma, pur di non rinunciare al gioco di vestirsi, vince l'arte dell'arrangiarsi. Soprattutto grazie ad internet.

La proposta più "avanti", che poi è antichissima, prevede il ritorno al baratto. Quante ragazze accumulano nell'armadio capi e oggetti di poca soddisfazione e darebbero qualsiasi cosa per la giacca o la borsa della migliore amica? L'importante è incrociare i reciproci desideri. La formula più evoluta prevede lo scambio on line tramite siti internet ad hoc come swapstyle.com, barattoonline.com e barattopoli.com. Se invece c'è anche voglia di svagarsi la questione si può risolvere con uno swap party.

Funziona così: ognuna porta i suoi vestiti, accessori e bijoux e si aprono gli scambi. Naturalmente ci sono delle regole da seguire ben precise: evitare troppi invitati che generano confusione, presentare merce di qualità e perfettamente pulita, inserire nel giro gli amici degli amici, creare una minima omogeneità di stile (e di taglie) e trasformare l'avvenimento in una piccola festicciola. In modo che, se il business non va a buon fine, il divertimento è assicurato.

Sempre per rimanere tra le mura domestiche, vanno per la maggiore le vendite in appartamento. Le grandi, e piccole marche, in casa propria sono più convenienti che se acquistate nei negozi del centro. Spesso si tratta di prodotti artigianali, o di stiliste in erba, ed è un'occasione per conoscere nuovi brand. Anche in questo caso le location e l'organizzazione devono essere impeccabili: salotti confortevoli, tè, pasticcini e un selezionato gruppo di partecipanti.

Pigrizia alle stelle e pochi soldi in tasca? Da consultare senza esitazione è venteprive.com, un autentico paradiso dell'occasione: viaggi, computer, vestiti, film. Per ogni voce il sito offre le indicazioni dei link per un risparmio a colpo sicuro. Saldiprivati.com è invece un club privato di shopping online e l'unico modo per accedervi è quello di registrarsi al sito, dietro invito di qualcuno già iscritto. Il risparmio va dal 30 al 70% e le offerte hanno durata limitata nel tempo. Anche il club outlet on-line Born4shop.com, offre la possibilità di partecipare su invito, e per un tempo piuttosto breve, a proposte d'acquisto di vario genere.

"Due volte la settimana gli iscritti ricevono, via posta elettronica, l'invito a prendere parte ad una nuova vendita di prodotti di marca offerti con sconti dal 40 al 70%", spiega l'amministratore delegato di Bnk4 Gionata Tedeschi, "naturalmente in periodi di saldi ovunque la nostra campagna di promozione è notevolmente potenziata. In più le aziende più famose, che normalmente hanno una certa riluttanza a partecipare alle vendite, sono in chiusura di bilancio e volendo stringere il fatturato ci offrono molti più capi ampliando il nostro bacino di offerte".

Stessa formula anche per buyvip.com, che vende prodotti griffati di abbigliamento, accessori, oggetti di design ed elettronica con uno sconto che arriva fino al 70%. Ma con qualcosa in più: è arrivata su BuyVIP anche Luna, un'assistente virtuale che accompagna gli utenti durante la navigazione e risponde a domande sulle funzionalità e i servizi. Se bisogna fare un regalo, e non comprare per se stessi, l'acquisto on line richiede qualche accortezza in più: ordinare capi non troppo difficili da indossare e prestare grande attenzione alle taglie. Altra forma di risparmio sicuro, se si ha un po' di tempo a disposizione, è quella di comprare i regali negli outlet. Negli ultimi anni, oltre alle tradizionali cittadelle dell'acquisto alle porte delle grandi città, molti outlet sono spuntati nei centri storici di Milano e Roma.
(21 febbraio 2009)

Obama: «Meno tasse per 95% lavoratori» Dimezzare deficit entro 2013 - Il Messaggero, it - link (aqui)


Aumento tasse per i super-ricchi e risparmi da fine guerra Iraq

NEW YORK (21 febbraio) - Dimezzare il deficit entro la fine del suo mandato con una manovra economica che punta sui risparmi prodotti dalla fine della guerra in Iraq e su un aumento delle tasse ai super-ricchi e sulle imprese. E' l'obiettivo primario di Barack Obama. Ad indicarlo fonti dell'amministrazione protette dall'anonimato.
Il deficit lasciato da George W. Bush è di 1.300 miliardi di dollari, pari al 9,2 per cento del Pil: il più alto dalla Seconda Guerra Mondiale. La presentazione del budget per l'anno fiscale 2010 che verrà fatta la prossima settimana, si prefigge di abbassare il deficit a 533 miliardi di dollari - o il tre per cento del prodotto interno lordo - entro la fine del mandato del presidente nel gennaio 2013.

La guerra in Iraq. «La maggior parte dei risparmi verrà dalla fine della guerra in Iraq, dall'aumento delle tasse per chi guadagna più di 250 mila dollari all'anno e da risparmi ottenuti facendo lavorare il governo più efficacemente ed eliminando programmi che non funzionano», ha detto la fonte dell'amministrazione. Il budget prevede che l'America continui a investire sostanzialmente «nelle operazioni militari all'estero», ma meno dei quasi 190 miliardi di dollari all'anno che gli Stati Uniti hanno messo in bilancio nel 2008 per le guerre in Iraq e in Afghanistan.

Tasse ai più ricchi. Sul fronte fiscale si vogliono eliminare gli sgravi fiscali temporanei concessi nel 2001 e nel 2003 dall'amministrazione Bush ai contribuenti più ricchi: questi sgravi verranno lasciati scadere alla fine dell'anno fiscale 2011 quando il tasso più alto di imposizione salirà dal 35 al 39 per cento per i redditi oltre il quarto di milione di dollari.

«Da aprile meno tasse per 95% lavoratori». «Per quel che abbiamo fatto, le cose negli Stati Uniti si metteranno al meglio». Obama lo ha ripetuto ben sei volte nel discorso alla radio del sabato diffuso anche su YouTube. La parte più positiva del discorso ha una data e una cifra: a partire da aprile una famiglia americana media avrà in tasca 65 dollari al mese di più grazie ai tagli di tasse che oggi il presidente ha ordinato al Tesoro.

Piano di stimolo. Era una delle promesse della campagna elettorale: ridurre le tasse al 95% dei lavoratori americani. Ma la strada per la ripresa «è lunga e piena di ostacoli», ha detto Obama alla radio dopo che ieri Wall Street ha toccato un nuovo minimo sull'onda dei timori della nazionalizzazione delle banche, mentre uno dei consiglieri economici della Casa Bianca, l'ex capo della Fed Paul Volcker, definiva la crisi «peggio della Grande depressione». I tagli fanno parte del piano di stimolo da 787 miliardi e gli americani cominceranno a vederne gli effetti il primo aprile: «Il Dipartimento del Tesoro ha cominciato oggi a dare istruzioni ai datori di lavoro di ridurre le trattenute sugli stipendi, col risultato che entro il primo aprile una famiglia americana media comincerà a portare a casa 65 dollari in più ogni mese - ha detto Obama - Mai prima, nella storia degli Stati Uniti, un taglio delle tasse era stato posto in atto più in fretta o diretto a un numero così vasto di lavoratori americani».

Crisi e occupazione: scenario fosco. Intanto, però, la crisi negli ultimi mesi ha bruciato milioni di posti di lavoro, mentre forti campanelli di allarme continuano a suonare a tutto campo: secondo Volcker, il "vecchio saggio" della Fed che Obama ha chiamato al suo fianco come consigliere, l'economia globale si sta deteriorando a un passo più veloce che negli anni Trenta. Un quadro fosco, come fosco è il panorama delineato dal guru della finanza George Soros ieri a un banchetto della Columbia University: il sistema finanziario mondiale si è di fatto disintegrato, ancora non è stato toccato il fondo e non ci sono prospettive a breve termine per una risoluzione della crisi. Secondo Soros l'attuale turbolenza è più grave di quella della Grande depressione e paragonabile alla caduta dell'Unione sovietica. E anche per Obama il piano di stimolo appena firmato è solo il primo passo nella strada della ripresa: «Nulla sarà facile, ma ho fiducia che il popolo americano ha la forza e la saggezza di portare avanti queta strategia».

Settimana cruciale. L'annuncio sulle tasse conclude una settimana che ha visto, oltre alla firma del piano, l'annuncio del pacchetto di aiuti per nove milioni di famiglie in difficoltà sul fronte dei mutui per la casa. Lunedì il presidente riunirà un vertice di esperti per studiare come ridurre un deficit da mille miliardi ereditato dal passato, l'indomani si presenterà in Congresso per delineare a Camere riunite la sua agenda di politica interna e internazionale (martedì è atteso anche alla Casa Bianca il primo leader straniero, il premier giapponese Taro Aso) prima della presentazione, giovedì, del budget per l'anno fiscale 2010.

El Carnaval llega a Cibeles - El País, es - link (aqui)

Una modelo con una creación de Francis Montesinos- AFP


Un puñado de ideas disparatadas ocupa la pasarela en la segunda jornada

EUGENIA DE LA TORRIENTE - Madrid - 22/02/2009

La segunda jornada de desfiles en Cibeles Madrid Fashion Week arrojó un buen puñado de ideas disparatadas para el próximo otoño: un paraguas en la cabeza (Agatha Ruiz de la Prada), un vestido de noche que deja las nalgas al descubierto (Jesús del Pozo), un jersey aderezado con una gran cabeza de caballo de punto azul (Francis Montesinos) o un top-caracola que inmoviliza un brazo (Amaya Arzuaga). Si, por algún motivo, los diseñadores habían decidido celebrar ayer su particular Carnaval en el recinto ferial de Ifema, nadie tuvo la delicadeza de advertirnos al resto.


Un diseño de Amaya Arzuaga- LUIS SEVILLANO

Hay que reconocer que nadie se empleó con tanto ahínco en lo circense como Francis Montesinos, que decidió homenajear al surrealismo dado que se cumplen 20 años de la muerte de Salvador Dalí. Ante un público entusiasta (liderado por la mayor concentración de famosos del día: El Gran Wyoming, Carmen Alborch, Miguel Bosé o Ramoncín), Montesinos orquestó un histriónico espectáculo de moda, danza y sexo. Desde la emplumada vedette inicial (mitad gallina, mitad pavo real) hasta los bailarines en calzoncillos con penachos negros de gasa y plumas reptando sobre skateboards, pero sin olvidarse de la ropa (un chándal con falda midi cuyo estampado emula el vaquero roto), todo fue un delirio.

La moda no coge vuelo y altura por restregarse contra elevados referentes, sino por la creación en sí misma. Por eso resulta sonrojante que las notas del programa de Agatha Ruiz de la Prada aseguren que "no es difícil encontrar pinceladas de sus artistas más queridos en tejidos y diseños de esta colección". Citar a Jackson Pollock o Piet Mondrian no hace mejores sus toscos vestidos de algodón. En todo caso, a Esperanza Aguirre, presidenta de la Comunidad de Madrid, le gustó lo que vio en su segundo y último desfile del día. "Me encantan los zapatos", exclamó ante unas plataformas naranjas que servirían de maniobra de distracción en una comisión de investigación cualquiera.

Resulta muy socorrido eso de que la adversidad estimula la creatividad, pero es forzoso admitir que los diseñadores, como todos, están hechos un lío ante la terrible coyuntura que vivimos. Se nota en la proliferación de torsiones, ondulaciones, nudos, fruncidos y trenzados. Voluntad quebrada y sinuosa que reúne colecciones tan dispares como las de Amaya Arzuaga, Devota &Lomba, Victorio y Lucchino o Jesús del Pozo. Arzuaga tuvo la ejecución más original con una marejada de fieltros, pelo y pailletes obstinadamente poco realista y piezas que calificó de "armaduras blandas".

El punto de partida de Miguel Palacio también tiene que ver con esa necesidad colectiva de protegerse ante la dificultad, pero su gusto por lo coqueto le conduce por otros derroteros. La investigación de volúmenes en mangas y espaldas se traduce en prendas envolventes, a menudo realizadas con una sola pieza, sin costuras. "Yo siempre voy al revés", admite. "Cuando todos disfrutaban de las vacas gordas, yo estaba en crisis. En cambio, ahora me preparo para mi mejor momento". Gracias a la inversión de Caja Madrid, Palacio está inmerso en un plan de expansión a escala de su pequeña empresa: anoche presentó una colección de accesorios y espera abrir su primera tienda propia en julio o septiembre en Madrid. Junto a Ángel Schlesser, defiende la existencia de un universo paralelo donde todavía tenemos paciencia para lazos y vestidos de cóctel.

"La crisis la notamos todos, obviamente. ¿Acaso tú no?", preguntaba José Luis Medina, la mitad de Victorio y Lucchino, tras presentar su colección, menos barroca de lo habitual. Pero la recesión no ha afectado al presupuesto de la mayor edición de la historia de la pasarela madrileña. "Éste es un Cibeles XXL", bromea su directora Leonor Pérez-Pita. El evento cuesta alrededor de 3,2 millones de euros, una cifra parecida a la del pasado septiembre, cuando se pasó de 5.400 metros cuadrados a 14.000 y sí hubo un notable estirón presupuestario (alrededor del 13%).

Unos 700.000 euros proceden de patrocinadores que pueblan el Cibelespacio (marcas como HP, Nokia o L'Oréal) y PérezPita sostiene que este año no ha sido más difícil conseguirlos, aunque el dinero se ha alargado más para dar cobijo a 55 diseñadores en 45 desfiles (en septiembre fueron 52 firmas y 40 presentaciones). Viendo el ambiente de Carnaval sobre la pasarela cabría preguntarse cuánto favorece a la creación de una industria relevante de moda esta burbuja subvencionada.

Se vende el tesoro de Alí Babá - El País, es - link (aqui)

Objetos de Yves Saint Laurent y Pierre Bergé- REUTERS

Unas 700 piezas de arte de Yves Saint Laurent y Pierre Bergé salen a subasta

ANTONIO JIMÉNEZ BARCA - París - 22/02/2009

Un experto en pintura de la casa de subastas Christie's visitó el piso para evaluar el contenido. Y cuando entró en el salón de Yves Saint Laurent sólo pudo pensar que aquello que veía en ese momento era lo más parecido al tesoro de Alí Babá que había conocido y que conocería jamás en su vida de marchante de arte. Descubrió el picasso, el matisse y el goya en las paredes, y la gran escultura de inspiración africana de Brancusi en medio de la sala, pero también la mesa, los sillones, las lámparas, las alfombras, los espejos... O dos enormes jarrones negros que valen un millón de euros.


Instrumentos de música sobre una mesa, de Picasso

Los cuadros, esculturas, tapices, sillas, broches, copas, los objetos artísticos de todas las épocas, tamaños y tipos que reunieron a lo largo de toda su vida el diseñador de moda francés Yves Saint Laurent y su pareja y socio Pierre Bergé comenzarán a venderse al mejor postor mañana y acabarán el miércoles. Ocurrirá bajo la cúpula de vidrio del Grand Palais de París, entre el Sena y los Campos Elíseos, en lo que ya se ha calificado como la subasta del siglo y en la que participarán sentadas más de un millar de personas.

Son más de 700 objetos que valen entre 200 y 300 millones de euros. Lo más barato es un puñal mongol del siglo XIX que alguien se podrá llevar por 800 euros. Lo más caro, el único cuadro de la etapa cubista de Picasso que aún queda en manos privadas, Instrumentos sobre una mesa, que se adjudicará por más de 25 millones de euros. Ha habido hasta líos diplomáticos: China reclama dos cabezas de bronce que a su juicio fueron robadas hace más de 100 años y Bergé replica que se las enviará cuando el Gobierno chino respete los derechos humanos.

Todo empezó por la escultura de Brancusi. "Cuando la compramos sentí que por primera vez comprábamos algo grande. Antes, una tarde que íbamos paseando por París, Yves se quedó embobado delante de una galería que tenía una escultura africana de madera de un gran pájaro. Ésa fue la primera pieza que compramos juntos. Esa escultura no sale a la venta. La guardaré yo", confesó Bergé a Le Figaro hace unas semanas.

La historia de esta colección, en el fondo, es la historia de una pareja. Yves Saint Laurent, el diseñador de las gafas de concha que revolucionó la moda del siglo pasado al vestir a la mujer con esmoquin o con dibujos inspirados en Mondrian, conoció al mecenas, editor, hombre de negocios y, sobre todo, apasionado del arte, Pierre Bergé, en 1958.

Vivieron juntos hasta 1978. Fueron amigos y compartieron la colección siempre, hasta la muerte del modista, en 2008. Fue entonces cuando Bergé pensó en deshacerse de ella. "Si él no estaba, ya no tenía sentido", manifestó. Durante todos esos años compraron con un olfato certero, guiándose sobre todo por su impulso, sin obedecer a criterios históricos ni mercantiles. Jamás revendieron un objeto.

Saint Laurent era más impulsivo que su amigo, más dado a arramblar en las tiendas de antigüedades como "el que visitaba un supermercado", según Bergé. Éste siempre se ha definido como una persona que, sin ser un artista, persigue el arte se encuentre donde se encuentre, ya sea en un aria de Maria Callas (a la que adoraba) o en un taburete (hay uno que se vende en la exposición por 6.000 euros).

Convirtieron su casa de París, de 400 metros cuadrados y dos pisos, en un museo vivo donde imperaba la mezcolanza de estilos y fechas, en un pastiche hechizante, según los curtidos expertos de Christie's que la visitaron. Todos estos especialistas, desde el encargado de calibrar los muebles antiguos hasta el de los objetos de plata, coincidieron ayer en señalar la exquisitez de los objetos adquiridos, fueran lo que fueran.

"¿Que por qué compré todo? A lo mejor para intentar convertir mi vida en una obra de arte en sí misma, para vivir lo más cerca del arte posible", se explicaba en la entrevista citada Bergé. Saint Laurent era igual de obsesivo, aunque más impaciente: una vez prestaron el goya a una exposición temporal en el Prado y el diseñador colocó en el lugar que ocupaba el cuadro una réplica fotografiada de idéntico tamaño con el mismo marco. Aun así se pasó todo el tiempo preguntando en voz alta, para fastidiar a su pareja: "¿Y cuándo nos devuelven el goya?". Ahora, el cuadro, el Retrato de José María de Cistue y Martínez, pasará a la colección del Louvre. Bergé lo ha donado para siempre.

Muchos le han preguntado al socio de Saint Laurent, dado que no hace esto por dinero y que la mayoría de los fondos se destinarán a la lucha contra el sida, que por qué no crea una fundación y así evita que se dispersen y se desperdiguen los objetos que han rodeado su vida y su casa. Éste responde siempre que no tiene ni tiempo ni dinero para crear una fundación y que no hay que sentir pena por deshacerse de casi todo. "El destino de las obras de arte es pasar de mano en mano", asegura. Y luego añade que cuando ya había tomado la decisión se topó con una frase del escritor Edmond de Goncourt: "No quiero que ninguno de mis dibujos, mis muebles, mis libros, en fin, los objetos de arte que han hecho mi vida más feliz, acaben en la fría tumba de un museo, sino desperdigados por los golpes de martillo del subastador. Y que el goce que me procuró la compra de alguno de ellos se repita en otra persona, heredera de mi gusto".

La frase le impresionó tanto a Bergé que la ha colocado en la primera página del catálogo, al lado de una fotografía de unas gafas de concha."El destino de las obras es pasar de mano en mano", dice el mecenas Los objetos han sido valorados entre 200 y 300 millones de euros.

Marx no lo dijo así - El País, es - link (aqui)

Karl Marx

Una supuesta cita del filósofo usada por IU se atribuye ahora a un bulo de la Red

VERA GUTIÉRREZ CALVO - Madrid - 22/02/2009

El pasado 7 de febrero, el coordinador general de IU, Cayo Lara, comenzó su discurso ante el Consejo Político -máximo órgano de dirección- leyendo una cita supuestamente extraída de El Capital, de Karl Marx. La cita entusiasmó a los dirigentes de la formación y sirvió a Lara para subrayar la actualidad del pensamiento marxista, porque parecía una profecía exacta de la crisis actual de la economía. Decía así: "Los propietarios del capital estimularán a la clase trabajadora para que compren más y más bienes, casas, tecnología cara, empujándoles a contraer deudas más y más caras hasta que la deuda se haga insoportable. La deuda impagada llevará a la bancarrota de los bancos, los cuales tendrán que ser nacionalizados".

Marx -resumió Lara- ya vio en 1867 lo que se avecinaba: hoy sólo estamos sufriendo las consecuencias de un sistema cuyas contradicciones internas llevan al colapso. Un ejemplo de clarividencia del filósofo alemán.

Pero hubo a quien la cita -reproducida al día siguiente por este periódico- le pareció no sólo profética, sino sospechosamente profética. Por Internet comenzó a circular la duda y varios bloggeros, viajando por el libro a través de la Red, llegaron a la conclusión de que esa frase jamás la dijo Marx. "La cita es falsa y está sacada de un diario de cachondeo", alertaba un internauta en la web Modus Tolens. Y señalaba algunas de las "incoherencias" del texto: "Ni los términos nacionalización y tecnología se usaban en la época en esos sentidos ni la cita es coherente con la forma en que Marx decía que el comunismo iba a materializarse".

Malaprensa.com, dedicada desde hace años a analizar los errores en la prensa española, contaba -en una nota titulada Marx no era Nostradamus- que "el mismo texto, en versión inglesa, viene circulando por mail por EE UU y ya fue objeto de un análisis crítico en The Atlantic, a mediados de enero". "El texto no es literal de ninguna parte de El Capital", insistía, después de señalar el posible origen del error: la cita apareció en "una página satírica americana, News Mutiny".

Este periódico se dirigió al coordinador de IU para aclarar de dónde había sacado la frase. Lara explicó que un miembro de su equipo se la había facilitado cuando preparaba su discurso para el Consejo Político, y ese colaborador ha confirmado que la encontró "en Internet". "La cita se atribuía a El Capital y pensamos que así era. Efectivamente, ahora ya no podemos asegurarlo", admite un portavoz de IU. Y el coordinador pide disculpas: "Nada más lejos de mi intención que inducir a error con esto".

Reconocido el gazapo, el equipo de Lara se puso a rastrear en el libro de Marx -"Porque puede que no lo dijera, pero seguro que lo pensó", tira de ironía un dirigente- a la búsqueda de otro pasaje que venga a decir lo mismo "o muy parecido". Y lo ha encontrado en el volumen III, capítulo XXX. Es éste: "En un sistema de producción en que toda la trama del proceso de reproducción descansa sobre el crédito, cuando éste cesa repentinamente y sólo se admiten los pagos al contado, tiene que producirse inmediatamente una crisis, una demanda violenta y en tropel de medios de pago. Por eso, a primera vista, la crisis aparece como una simple crisis de crédito y de dinero [...] Al lado de esto, hay una masa inmensa de estas letras que sólo representan negocios de especulación, que ahora se ponen al desnudo y explotan como pompas de jabón".

Así que queda probada, sostiene la dirección IU, la capacidad de su filósofo de cabecera para predecir las peligrosas contradicciones del capitalismo. Queda probado, también, el peligro de surtirse de información en Internet -y de hacerse eco de ella- sin contrastarla.

El último villano es simpático y ladrón - El País, es - link (aqui)

Allen Stanford- AP

Allen Stanford cultivaba su relación con políticos de Washington

SANDRO POZZI - Nueva York - 22/02/2009

Baldwin Spencer, primer ministro del pequeño Estado caribeño de Antigua, se dirigió por televisión a sus ciudadanos para pedirles calma ante el tsunami financiero que azotaba la isla. Su hijo predilecto, Allen Stanford, el primer estadounidense al que le concedió el título de caballero, se acababa de convertir en el nuevo villano financiero, tras ser acusado por los reguladores en EE UU de ejecutar una estafa que puede superar los 8.000 millones de dólares, en una trama que recuerda demasiado a la de Bernard Madoff.

Se desmoronaba así el mito que rodeaba al magnate tejano, patrón de un imperio financiero que se extiende por el Caribe y América Latina. Su nombre forma parte de la vida diaria de los isleños. Le veían como un héroe. Controla el principal periódico y dirige el primer banco. Es el mayor empleador e inversor privado de la isla.

Stanford apuntaba alto. Y sabía que para alimentar su imagen y hacerse respetar tenía que cultivar bien la relación con los políticos en Washington, a los que pagaba lujosos viajes en jet hacia el Caribe y generosas donaciones para sus campañas. Así logró colarse sonriente en fotos como la tomada en junio de 2008 con el entonces senador de Illinois y ahora presidente de Estados Unidos, Barack Obama. Es una más de las cientos que se hacen en eventos de campaña.

Era también muy activo con los lobbies. Su causa, conseguir que el Capitolio aprobara leyes que le permitieran pagar menos impuestos al fisco estadounidense. No es de extrañar que su residencia oficial estuviera establecida en Saint Croix, en las islas Vírgenes. Oficial, porque el FBI le encontró al magnate "escondido" en un vecindario de clase media en Fredericksburg (Virginia), donde el ingreso medio por familia no supera los 90.000 dólares anuales.

Stanford, de 58 años, es de nacionalidad estadounidense y desde hace una década también de Antigua y Barbuda. La isla caribeña le otorgó en 2006 el título de caballero de la British Commonwealth, en una ceremonia a la que acudió el príncipe Edward, hijo de la reina Isabel. En Houston, donde tiene su sede central el grupo financiero que lleva el apellido de su familia, no era tan popular como en el Caribe.

Su fortuna personal ascendía a 2.200 millones de dólares (1.700 millones de euros). Y como sucedió con Bernard Madoff, que está llamado a ser el mayor estafador de la historia de Wall Street, su negocio financiero está gestionado por una trama de familiares y amigos de confianza. Su abuelo, Lodis, fundó la firma en Mexia (Tejas) en 1932, en pleno auge de la Gran Depresión.

El imperio empezó a crecer realmente a inicios de los años 1980, cuando Stanford decidió ampliar el negocio familiar comprando propiedades inmobiliarias en Houston aprovechando la crisis de los bonos. Ahora Stanford Financial Group maneja activos por valor de 50.000 millones de dólares (40.000 millones de euros), de clientes procedentes de 140 países. La red financiera está integrada por 24 compañías, que dan empleo a 5.500 personas por todo el mundo.

A final del verano pasado, en una entrevista, atribuyó su reciente éxito a no haber puesto dinero en activos vinculados a hipotecas subprime y anticipó que las cosas irían muy mal en Wall Street. Aconsejó que se invirtiera en certificados de depósitos a un año, la vía que utilizó para ejecutar su masiva estafa desde Stanford International Bank. Nadie sabía cómo invertía para conseguir los retornos que prometía. Y el hecho de que hiciera sus operaciones desde un paraíso fiscal le daba un toque de secretismo.

Stanford, graduado en finanzas por la Universidad de Baylor, era considerado como una de las cien personas más influyentes en el mundo del deporte británico, donde invirtió decenas de millones de dólares para promocionar y patrocinar torneos de críquet, polo, golf, tenis y vela, los deportes preferidos de sus adinerados clientes. Los golfistas Vijay Singh, segundo por detrás de Tiger Woods en cuanto a recaudación mediante patrocinadores, Camilo Villegas, David Tos y Henrik Stenson llevan el logo del grupo financiero estampado en su indumentaria.

Se dice, incluso, que su estructura financiera fue utilizada por el cartel de la droga que opera en el golfo de México para banquear dinero. Un extremo que no confirman los investigadores federales que examinan el fraude, aunque advierten que en este tipo de casos se siguen todo tipo de pistas. Stanford ya fue investigado en los años 1990 por un caso de blanqueo. De momento, las autoridades de EE UU no han presentado cargos criminales contra el inversor.

El magnate tejano caminaba siempre por una fina línea, que separaba a los que le admiraban de los que le criticaban. Los que le conocen dicen que era trabajador, aunque le gustaba disfrutar de la vida, y que no prestaba la más mínima atención a lo que pensaban los demás sobre él o sus negocios. Destinó parte de su fortuna a obras benéficas, educativas y culturales. "Sí, sí, sí. Es divertido ser multimillonario, pero hay que trabajar duro", dijo en una entrevista.

Para cultivar su reputación, afirmó que es descendiente de Leland Stanford, fundador de la Universidad de Stanford. La institución educativa abrió causa en octubre de 2008 contra la firma financiera por utilizar el nombre de una manera que creaba confusión pública y dañaba su reputación. Y esta semana sacó una nota para dejar claro que la universidad no está en ninguna manera afiliada a su red de empresas.

Las autoridades financieras de EE UU planean aportar "una protección extra" a los principales bancos - El País, es - link (aqui)

Una serie de análisi determinarán las inyecciones de capital necesarias en caso de una profunda recesión

REUTERS - Washington - 22/02/2009

Los reguladores financieros estadounidenses planean lanzar pronto una serie de "análisis exhaustivos" para determinar cuáles de los principales bancos del país necesitan mayores inyecciones de capital en caso de una profunda recesión económica, según fuentes cercanas a la Administración del presidente Barack Obama.

De acuerdo con esta misma fuente, si estas instituciones requieren de capital adicional, serán las autoridades financieras las encargadas de suministrárselo junto con "una protección extra", aunque no ha expecificado de qué tipo. Los bancos recibirán más información sobre estas pruebas en las próximas semanas.

Los principales bancos estadounidenses están "bien capitalizados" para las actuales circunstancias, según esta fuente, pero el Gobierno de Obama desea asegurarse de que pueden soportar una situación económica más severa y jugar un papel importante en mantener la corriente de crédito.

La intención de llevar a cabo estos exámenes fue anunciada el pasado 10 de febrero dentro del plan de estabilización bancaria del Secretario del Tesoro Timothy Geithner, pero por primera vez se ha sabido que estos exámenes estarán ligados a un apoyo adicional del Gobierno dirigido a los principales bancos del país. Según la fuente consultada, estas pruebas serán "consistentes, con miras al futuro y conservadoras".

La Administración Obama ha tratado de calmar este viernes los temores del mercado de una hipotética nacionalización de algunos bancos que siguen sumidos en las pérdidas, como Citygroup o Bank of America. El portavoz de la Casa Blanca Robert Gibbs ha matizado que el Gobierno "sigue convencido de que un sistema bancario sostenido privadamente es la mejor opción".

España se juega en la crisis de EADS el futuro de su industria aeronáutica - El País, es - link (aqui)

Un avión de transporte militar Airbus A400M- JAVIER BARRANCHO

El Gobierno ha perdido la confianza en los directivos del gigante aeroespacial

MIGUEL GONZÁLEZ - Madrid - 22/02/2009

"Le escribo en nombre del Gobierno español. Quisiera presentarle una queja formal por la forma en que está siendo conducida la reestructuración de EADS. Me gustaría que tomara conciencia del daño que una mala gestión del proceso podría hacer a la compañía en momentos en que ésta necesita de todo el apoyo posible".

Sin concesiones. Desde la primera línea, la carta que la secretaria general de Industria, Teresa Santero, dirigió el martes al jefe de la junta de directores del EADS, Rüdiger Grube, muestra la profundidad de la crisis entre el Gobierno español y la cúpula del gigante aeronáutico europeo.

El frenazo a la destitución del director de la división española de EADS, Carlos Suárez, y las conciliadoras declaraciones del consejero delegado de EADS, el francés Louis Gallois, el pasado viernes a EL PAÍS, en las que aseguró que se cumplirán los compromisos con España, son un impasse en una batalla no cerrada.

Nacida en 2000 de la fusión de las firmas Aéroespatiale-Matra (Francia), DASA (Alemania) y CASA (España), la compañía EADS y su filial Airbus son, junto al euro, uno de los escasos éxitos de la cooperación europea. Eso no significa que no esté exenta de problemas. Especialmente para España que, con un 5,5% de las acciones, ha tenido que abrirse un hueco a codazos frente al rodillo franco-germano. La dificultad de España para mantener cierta independencia en el sector aeronáutico y no quedar relegada al papel de planta de montaje (como en el sector del automóvil) explica la caída de los antecesores de Suárez: Alberto Fernández y Francisco Fernández Sainz.

El desencadenante del último episodio es el programa A400M, el más importante de la División de Aviones de Transporte Militar (MTAD, por sus siglas en inglés), la sección española de EADS. La fabricación de este avión debía iniciarse en 2009, pero el primer vuelo aún no tiene fecha. EADS ha entregado a OCCAR, la agencia que gestiona el proyecto para los gobiernos implicados (Francia, Reino Unido, Alemania, España, Turquía, Bélgica y Luxemburgo), una propuesta para rebajar los requisitos operativos y demorar el calendario de entregas.

En poco más de un mes, los gobiernos dirán si aceptan modificar el contrato del A400M. Lo que no harán, aunque lo mantengan en suspenso, es renunciar definitivamente a las penalizaciones previstas por el retraso, lo que ha obligado a EADS a provisionar ya 1.700 millones de euros.

La tentación de imputar a la división española el fiasco del A400M es grande. Pero fuentes de la compañía subrayan que el pecado original estaba en el contrato, que estableció un precio fijo de 20.000 millones de euros, pese a que muchos de sus componentes estuvieran por desarrollar, con la incertidumbre que conlleva. De hecho, los mayores problemas han procedido del motor MTU de Rolls-Royce y de los subcontratistas; entre ellos, el propio Airbus.

Pese a ello, el Consejo de Administración de EADS aprobó el 12 de diciembre una reestructuración de la compañía que pasa por integrar la MTAD en Airbus. Suárez fue de los que más hizo para convencer al Gobierno de que la reconversión no suponía pérdida de peso para España.

Pero cuando se entró en la letra pequeña, las alarmas saltaron. Las garantías de que la división militar se mantendría como una unidad de negocio diferenciada, con capacidad para gestionar sus proyectos, se esfumaron.

El 1 de febrero, Suárez dirigió una carta a Gallois y al alemán Tom Enders (consejero delegado de Airbus) en la que reconocía amargamente que "si hubiera conocido entonces [cuando se aprobó la integración] la actual posición de Airbus, mi actitud habría sido muy diferente". Y anunciaba su decisión de no seguir negociando la integración ni asistir a reuniones ejecutivas de Airbus.

El 12 de febrero, Gallois se reunió en Madrid con el ministro de Industria, Miguel Sebastián, y el secretario de Estado de Defensa, Constantino Méndez, entre otros altos cargos. Les anunció su decisión de destituir a Suárez, cuyo mandato expira en 2012. Sebastián replicó que, en ese caso, también debería relevar a Enders.

"Lo sucedido tras esa reunión ha sido desalentador, lo que está llevando a una lamentable situación de falta de entendimiento entre los representantes de EADS y el Gobierno español", escribió la secretaria de Estado de Industria a Grube en su misiva del pasado miércoles. Las fuentes consultadas dan por hecho que Suárez será sustituido en los próximos días. Aunque Sebastián se ha opuesto por ahora al nombramiento de Domingo Ureña, el candidato de Enders, nadie duda de su valía profesional. El problema de fondo es la pérdida de confianza del Gobierno en los máximos directivos de EADS, empezando por Gallois.

"Vamos a tutelar de cerca el proceso de integración, no vamos a permitir que la división española se diluya ni que incumplan de nuevo los compromisos pactados", advierte un alto cargo implicado en el proceso. En contra de lo que se ha querido hacer creer, en juego no está la mano de obra de la planta de ensamblaje del A400M en San Pablo (Sevilla), sino los centros de investigación y excelencia en nuevos materiales o en vehículos no tripulados. Es la tecnología, estúpido.